From Bombay to the Western Front

On Tuesday evening, I attended a commemorative event at the Imperial War Museum North. It had been organised to reflect on the 100th anniversary of the Battle of Neuve Chapelle, which was the first major offensive to involve the British Indian Army.

Among the speakers at the event was Dr Santanu Das, of the English department at Kings College London. Dr Das, who is an expert in the culture and literature of the First World War, made the argument that while the First World War is often defined as the ‘clash of empires’, it could equally be defined as a watershed event in the history of cultural encounters in Europe.

Dr Das has been leading an international and interdisciplinary team of researchers and a number of cultural institutions across Europe to illuminate and examine this question during the centennial years of the war’s commemoration.

In this film we see how Dr Das has partnered with Imperial War Museum, London, In Flanders Fields Museum, Ypres, and the Museum of European Culture, Berlin to scour their (and many other) vast archives for letters, photographs, literary texts, sketches, artefacts, newspapers, and audio recordings. We see how all these sources are being brought together to be examined side-by-side, in order to piece together a fuller picture of the experience of the Indian troops and labourers, and the Europeans who they came into contact with.

Heritage training in Derbyshire

record_office_logo_final_purpleThe Derbyshire Record Office is offering a series of training sessions that are aimed at community heritage groups looking to commemorate the anniversary of the First World War. However, they are open to anyone who is interested. The sessions will be half days based at the Record Office in Matlock. They cost £3 per person, not including refreshment. If you wish to sign up for any of the training sessions, please phone the Record Office on 01629 538 347.

Details of the individual sessions are below:

A Guide to Copyright

12th March, morning, 10.00 – 12.30
21st April, afternoon, 1.30 – 4.00

Paul Beattie, Archivist, Derbyshire Record Office

Paul is the longest serving Archivist in the Record Office with 15 years’ experience. He has an extensive knowledge of the collections and understanding of the legislation surrounding them, particularly the new orphan works copyright legislation.

The Copyright session will be aimed at helping you understand more about the recent changes in copyright regulations and where that leaves heritage and community groups who wish to publish images and articles, or anything else which may be under copyright. What can you do? What can’t you do? What is right and what is copyright?

A Guide to Digitising your Images

12th March, afternoon, 1.30 – 4.00
21st April, morning, 10.00 – 12.30

Nick Tomlinson, Picture the Past

Nick has a commercial background in computing, data handling and image digitisation. He has been at Picture the Past for 13 years, managing the creation of the project and overseeing the inclusion of over 114,000 searchable images to its database.

This session will provide a simple guide to what to aim for when considering scanning your images. It will include file types, resolution, output sizes and suggested scanner settings. Come and find out the best way to digitise your images to suit your purpose.

Researching WW1

25th March, morning 10.00 – 12.30
27th May, morning 10.00 – 12.30

Karen Millhouse, Archivist, Derbyshire Record Office

Karen has six years’ experience as an Archivist at the Record Office, having previously served as Assistant Curator, Maritime Collections at the Maritime Museum, Liverpool.

The Research session will help you to find the information you want. It will give guidance on where to find and how to use historic records. There may be documents and sources that you have not thought about, or were not aware of. The session will help you find the information most relevant to your needs.

Exhibitions & Preservation

15th April, (2 courses)
Morning 9.30 – 12.45
Afternoon 1.15 – 4.30

Karen Millhouse, Archivist, Clare Mosley, Assistant Conservator, Lien Gyles, Senior Conservator, Derbyshire Record Office;

Karen is responsible for the Record Office community outreach programme and the collection displays in the exhibition cases at the Record Office.

Clare has six years’ experience at the Record Office and has a foot in both exhibition and conservation camps. Clare has helped Karen arrange many displays of the Record Office collections over the last two years, but her main role is as Assistant Conservator.

Lien has twenty years’ experience as an archive conservator and is responsible for the preservation of the collections at the Record Office.

The combined Exhibition and Preservation session will give you ideas for how to present an interesting and informative display based upon your photos and ephemera and will explain how to ensure that they will still be around for the bi-centenary. It will show how to make the best out of possibly limited material and resources to create an attractive and interesting display. The preservation training will ensure that you know the best way to handle and display historic items so that they do not suffer inadvertent damage. What might be harmful to the artefacts you have and what should you do to help preserve them for future generations? Find out at this informal, hands-on workshop.

Oral History

18th May 9.30 – 12.45 & 1.15 – 4.30

Colin Hyde, East Midlands Oral History Archive Outreach Officer, University of Leicester

The East Midlands Oral History Archive is recognised as a leader in the subject of oral history. Colin’s involvement with oral history goes back to the original Leicester Oral History Archive which was set up in 1983. Colin advises on all aspects of oral history work. He has worked with many community organisations in Leicestershire & Rutland, giving talks, training sessions, retrieving existing oral history recordings, and encouraging and supporting new work.

The session will provide you with the skills and information you need to undertake your own oral history project within your community. What equipment do you need? What questions do you need to ask? What should you do with your recordings.

Applying for HLF ‘First World War: then and now’ funding

30th March, morning, 10.00 – 12.30
8th April, morning, 10.00 – 12.30

Glynn Wilton, Derbyshire Lives Through the First World War, Project Officer

Glynn is employed by Derbyshire Record Office to help community groups commemorate the anniversary of the First World War, from the creation of a project idea, to the application for funding.

Glynn has 30 years’ experience of working in museums, interpreting collections, creating exhibitions and applying for funding. The session will help ensure that you meet the outcomes required for a successful project, it will give you the skills to develop your idea and complete a funding application.

 

Community Challenge Fund

IWM_ART_002344One of our main aims at the Centre for Hidden Histories is to support local groups and societies keen to commemorate the role of their communities in the First World War.

With that in mind,  we’re very pleased to invite applications to our Community Challenge Fund. This scheme offers grants of up to £500 for community group activities that investigate and commemorate the legacies of the years 1914-19.

We are particularly keen to offer support to projects that focus on histories that fall outside of the traditional image of the Western Front. These histories may include, but are not limited to, themes of migration and displacement, the experience of ‘others’ from countries and regions within Europe, Asia, Africa and the Americas, and the impact and subsequent legacies of the war on diverse communities within Britain and the impact on remembrance and commemoration, identity and faith.

The funds will enable community groups to gain access to research and/or technical facilities and expertise in order to develop projects or to support an event or visit in support of their research.

Challenge Funds are not limited in any particular way, but applicants are encouraged to demonstrate the research they are aiming to achieve. Funded activities could include:

  • Support to undertake a specific piece of research, such as funding travel to an archive
  • Funding for training in research or presentation skills
  • Access to research facilities and research support

 

This is an open call and there is no formal closing date for applications. However, projects must be completed by 31st December 2016 to meet the terms of the grant.

 

To apply, please complete the online form

The Battle of Neuve Chapelle, March 1915

The Battle of Neuve Chapelle was the first of the British spring offensives in 1915, when the Allied commanders were keen to escape the static conditions that had emerged and break through the German lines. They had planned simultaneous French and British attacks but when the British commander, Sir John French, requested reinforcements he was given territorials rather than regulars. This, and a sense that they were already over committed, prompted the French commander to call off his troops’ involvement, leaving the British on their own. Sir John decided to press on in any case (partly to impress the French following British failures to take ground in December 1914) and announced that the attack would take place at the ruined village of Neuve Chapelle in the Artois region of northern France and that Sir Douglas Haig would lead troops from the First Army (the IV Corps and the Indian Corps) in an effort to break through at Neuve Chapelle and capture the village of Aubers.

British and Indian wounded at Neuve Chapelle, on the way to the hospital base, 1915. One of the British is wearing a German helmet. Shows a group of wounded Germans, British and Indians next to a hospital train. (National Army Museum)
British and Indian wounded at Neuve Chapelle, on the way to the hospital base, 1915. One of the British is wearing a German helmet. Shows a group of wounded Germans, British and Indians next to a hospital train. (National Army Museum)

The German lines at Neuve Chapelle formed a salient, upon which Haig intended to converge his troops, the IV Corps (commanded by Lt. Gen Sir Henry Rawlinson) on one side, the Meerut and Lahore Divisions of the Indian Corps (commanded by Lt. Gen Sir James Willcocks) on the other. It would also be one of the first examples of the use of air power in warfare, with eighty-five aircraft conducting aerial reconnaissance, photography and cartography to aid the artillery bombardment.

On the morning of the 10th March 1915, following a thirty-five minute bombardment from hundreds of guns, the infantry launched their attack. A further barrage of artillery fire was committed behind the German trenches to prevent reinforcements from joining after the British attack. Sepoys of the Garhwal Brigade rushed across no-mans-land to seize Neuve Chapelle, taking 200 German soldiers prisoner. The village itself being taken less than an hour after the start of the assault and five of the eight assault battalions achieved their objectives with minimal losses. Many battalions were almost unscathed. In some areas the fighting was hand-to-hand. In the initial phase of the attack, everything seemed to be going in the British favour.

However, the commanders were unable to secure the breaches they had made in the German lines and were hampered by poor communications and the loss of field commanders, leaving poorly-briefed NCOs in charge of some units. Further progress and made the remaining push difficult and uneven. In particular, the northern sector, closest to Aubers itself, had managed to escape the British bombardment and the German lines remained intact. Every one of the thousand troops that advanced towards it was killed. Two German machine guns managed to kill hundreds of soldiers of the 2nd Scottish Rifles and the 2nd Middlesex, while other British troops lost their way in the confusion. Poor communication meant that the artillery couldn’t be informed of the situation in the front and were unable to respond, leaving the advancing troops to the mercy of the German guns. The battle went on for several days. On the fourth day, many of the surviving troops had to be roused ‘by force’ from sleep, a task made all the more difficult because they lay among corpses, indistinguishable at first glance from the sleepers.

Several problems emerged from the battle. The push took the infantry further away from their supply lines, isolating them and pushing the Germans further into their own territory. The more the British pushed, the worse they found things and, in terms of supply, the better things were for the Germans. Crucially, the push towards German lines took the British away from their lines of communication. They could lay telephone cables as they went, but these were easily cut by bombardment. Pigeons, flags and runners were ineffective and easily cut down. Relaying information to command, five miles behind the front, and back again to the advancing troops took eight or nine hours, meaning that effective, fluid commands were impossible. In addition, the men who led the attack were exhausted by the time they got to the German lines, making follow-throughs difficult. Reinforcements were difficult to supply, not least because of the poor communications.

The Outcome

A small salient, 2,000 yards wide by 1,200 yards deep had been taken and 1,200 German soldiers captured. 40,000 Allied troops took part during the battle and suffered 7,000 British and 4,200 Indian casualties. Similar losses were suffered by the Germans, setting the pattern for the slow, attritional nature of trench warfare.

  • The 7th Division had 2,791 casualties
  • the 8th Division 4,814 casualties
  • the Meerut Division 2,353 casualties
  • the Lahore Division 1,694 casualties

Ten Victoria Crosses were awarded for conspicuous bravery in the battler. Among the recipients was Gabar Singh Negi of the 2nd/39th Gharwal Rifles. His entry in the London Gazette reads: For most conspicuous bravery on 10 March, 1915, at Neuve Chapelle. During our attack on the German position he was one of a bayonet party with bombs who entered their [the German] main trench, and was the first man to go round each traverse, driving back the enemy until they were eventually forced to surrender. He was killed during this engagement’. His name is among those recorded on the memorial at Neuve Chapelle. He was nineteen.

The Aftermath

Had the aim of the battle simple been to restore the British reputation in the eyes of the French, it would be considered a success. Perhaps even more coldly, the experience exposed the British commanders to some of the realities of trench warfare, giving them information that they could use in the development of new strategies and tactics. Reviewing the battle in his despatch to the Secretary of State for War, Sir John French attributed the success to ‘the magnificent bearing and indomitable courage[of] the troops of the 4th and Indian Corps’. Willcocks, who had served for many years in India and could speak several Indian languages, wrote that the Garhwalis ‘suddenly sprang into the very front rank of our best fighting men’. However, the impact of the losses took its toll, breaking up long-established units and, in some cases, killing officers who had worked with Indian troops and who knew and understood them, and leaving them to the care of men to whom the Indians were alien. In proportional terms, the Meerut Division lost 19 percent of its Indian soldiers d 27 percent of its British officers, while, with 575 casualties, the 47 Sikhs lost 80 percent of their fighting strength. These losses meant that, although not the last time that Indian troops would see action, Neuve Chapelle would be the last time that they were used as a striking force. It set the template for much of what was to follow. General Charteris wrote of the experience ‘I am afraid that England will have to accustom herself to far greater losses than those of Neuve Chapelle before we finally crush the German Army’.

Letter from a wounded survivor from the Meerut Division, recovering at hospital in Brighton, describing the battle (Subterranean Sepoys)
Letter from a wounded survivor from the Meerut Division, recovering at hospital in Brighton, describing the battle (Subterranean Sepoys)

The personal impact of the battle was recorded by the survivors in letters home. The historian David Ommissi has collected some of the letters sent by Indian soldiers. Their comments testify to the almost indescribable bloodshed:

  • ‘The death of a human being has become as of much account here as the death of an insect’ -Nanak Singh, 6 Cavalry, France to Gaur Singh, Jhelum district, 6th March 1917
  • ‘God has made them fowls of the air, dragons of the earth and poisonous crocodiles of the sea and he has given them such skill that when we encounter their deceitful bayonets they set light to some substance which causes a suffocating vapour and then they attack. How can I describe this?’ South Indian Muslim, hospital ship to friend, India, 9th February 1915
  • This is not war. It is the ending of the world.-Wounded Rajput to relative, India, 24th January 1915

The Memorial

The memorial at Neuve Chapelle was erected by the Imperial War Graves Commission (now the Commonwealth War Graves Commission) in 1927. It is especially dedicated to the Indian soldiers who died in the battle and was designed with Indian culture and architecture in mind.

The Neuve Chappelle Memorial. 4703 names are inscribed on it. (Commonwealth War Graves Commission)
The Neuve Chappelle Memorial. 4703 names are inscribed on it. (Commonwealth War Graves Commission)

Joseph Zobel, the French Caribbean and WW1.

This is a guest post by Louise Hardwick of the University of Birmingham, who attended our recent event on the Black Community and the Great War. It originally appeared on her own blog.

In January 2015, I attended an event on Britain’s Black Community and the Great War, which was organised by colleages at Birmingham and Nottingham’s WW1 Engagement Centres (funded through the AHRC) for researchers and members of the wider community.

dscf3323The event was held at the Library of Birmingham (see photo), one of the city’s flagship buildings and a really important community space.

It was fantastic to meet a range of speakers from community groups in the Midlands area and to learn more about figures such as the footballer Walter Tull  who fought and died in the First World War. I discussed my work on Zobel, and the event has spurred me on to think about Joseph Zobel, the French Caribbean and WW1.

Zobel’s La Rue Cases-Nègres (Black Shack Alley) is about a young Martinican boy, José Hassam, a character who is modelled on Joseph Zobel himself. Early in the novel, José’s grandmother comments that she never met José’s father, as he left Martinique to fight in World War One:

I never set eyes on that man called Eugène who is your father and he never set eyes on you either. You weren’t born yet when he was caught to go and fight in France. Since the war is reported to be over, no Eugène. (p. 25)

J’ai jamais vu la tête de cet homme-là qui s’appelait Eugène et qui est ton père; et lui-même t’a jamais vu non plus. T’étais pas né qu’on l’a attrapé pour l’envoyer faire la guerre en France. Depuis le jour qu’on dit que la guerre est finie, point d’Eugène. (p. 44)

The grandmother’s perspective is interesting: she considers that Eugène was ‘caught’ and ‘sent’ to fight a long way away from his home and his new family in France. Military service had become obligatory for French Caribbean citizens in August 1913, and the news of World War One reached the islands a year later in August 1914. Joseph Zobel was born the following year, during WW1, in 1915.

The grandmother sounds resentful, which comes as little surprise, as Eugène’s departure left her own daughter a single mother. As a result, José is mainly raised by his grandmother, so that his mother can work to earn a living.

What is also interesting, is that the war is over, but Eugène has not returned. Was he killed, or has he chosen to stay on in Europe…? We never know… This is all we ever learn about José’s absent father. The novel nonetheless shows how José’s life was affected by the Great War, like thousands of other Caribbean children’s lives.

*   *   *

Almost 13,000 French Caribbean men were called up or volunteered to fight in World War One, and many died fighting at the fronts. Martinique and Guadeloupe also contribute to the national funds raised in order for France to fight.

Here, you can see a black-and-white photograph of Martinique’s ‘Monument to the Dead’ (Monument aux morts) which commemorates those who fell in the Great War:
http://www.patrimoines-martinique.org/ark:/35569/a0112730601883VQwJ5

A man from Guadeloupe, Captain Camille Mortenol (1959-1930), who was the son of former slaves, was one of the rare Caribbean officers in the French army during World War One. Mortenol had also been the first ‘homme de couleur’ (man of colour) to enter the French ‘Ecole Polytechnique’, the elite national military school which is the French equivalent of Sandhurst in the UK.

Mutinies and Death Sentences in the Foresters, 1914-18

Foresters
The Sherwood Foresters, pictured here in 1916

Now this looks like an interesting project. The Nottingham Radical History Group have used their long-standing experience of investigating and remembering radical moments from history to examine the cases of the 103 Sherwood Foresters who were sentenced to death or sentenced on mutiny charges during the First World War.

The project was deliberately chosen because of the high profile nature of the centenary. The group’s researchers soon realised the scale of their task and that their investigations would require them to familiarise themselves with the often arcane legal and organisational landscape of the military.

They have documented their approach in a brilliantly detailed initial pamphlet, which covers their work and the pattern of their investigations. It’s a fascinating example of the historical process and is written in an engaging and, at times, necessarily angry manner with footnotes that are as lively as they are informative.

The second in the series of pamphlets is also available. This begins the case study approach that the group has selected and focuses on the story of Private W. Harvey, who was sentenced to death for desertion in February 2015 (a sentence later commuted to two years’ hard labour).

As with the best works of history, this core story expands to examine the situation and context that surrounds it. Consequently, the pamphlet includes material on the lives that the soldiers left behind when they went to war and the experiences that the regiment offered once they had done so.

More information, and copies of both pamphlets, can be found on the People’s Histreh site

 

Free Event: The Asian Contribution to the Great War

The Centre for Hidden Histories and Voices of the First World War present a free discussion event.

2014 saw the beginning of the commemoration of the Great War. At the start of the year the contribution of soldiers from Asian countries was arguably not well known. Many projects that took place in 2014 helped to change this and to raise awareness of the significant Asian impact on the outcome of the war.Sikh Poster

India had sent over 1 million soldiers to fight in the War, of whom nearly 8000 died, 16,400 were wounded and 840 went missing or were taken prisoner.

Meanwhile a contingent of over 140,000 Chinese workers came to France to help the Allied war effort. They completed arduous and dangerous tasks, including digging trenches and recovering corpses for burial from no man’s land. More than 2,000 gave their lives.

A discussion event at the Library of Birmingham, as part of the Voices of War & Peace and the University of Nottingham’s Hidden Histories WW1 Engagement Centres activities, will explore and reflect upon the Asian contribution to the war and look at ways of fostering greater interest in the subject.

Stalwarts from the EastDuring the event there will be a series of presentations and participants will have the opportunity to share their own work, meet others working on projects, and discuss with staff from the WW1 Engagement Centres how to develop or expand projects or research.

The event will take place at Heritage Learning Space, Library of Birmingham, between 1:30pm and 4:45pm on Saturday 21st February. It is free of charge but booking is essential. Please book via Eventbrite

 

First World War Collaborative Projects

The Centenary of the First World War provides an opportunity to build on the renewed popular interest in the war to collaborate and share expertise. Here are some of the initiatives that are offering such chances.

Lives of the First World War

lives-of-the-first-world-war-300x300The Lives programme is the Imperial War Museum’s effort to build a permanent digital memorial to the Lives of the First World War. The site offers people the opportunity to work with the IWM to piece together more than 8 million life stories, share them, and enable IWM to save them for future generations.

Each individual whose contribution to the First World War is recorded in official documents will have a personal Life Story page. Information about each person and their wartime experiences can be connected to Life Stories by members of the public who access the site.

Members can:

  • Link together evidence relating to the same person, using records from museums, libraries and archives across the world.
  • Add references to sources they have discovered elsewhere.
  • Upload digital images of their own precious family mementoes.
  • Include family stories and personal knowledge.
  • Group together individuals they are interested in by creating your own Community

As more and more people connect facts to Life Stories, the project can begin to piece together each individual’s life story.

Operation War Diaryoperation-war-diary

Operation War Diary is an effort to tag, classify and understand original documents from the First World War.

It brings together original First World War documents from The National Archives, the historical expertise of IWM and the power of the Zooniverse community.Working together, they and their volunteers will make previously inaccessible information available to academics, researchers and family historians worldwide, leaving a lasting legacy for the centenary of the First World War.

Data gathered through Operation War Diary will be used for three main purposes:

  • to enrich The National Archives’ catalogue descriptions for the unit war diaries,
  • to provide evidence about the experience of named individuals in IWM’s Lives of the First World War project
  • to present academics with large amounts of accurate data to help them gain a better understanding of how the war was fought

All of the data produced by Operation War Diary will eventually be available to everyone free of charge- a lasting legacy and a rich and valuable introduction to the world of the War Diaries.

UK Web Archive –First World War Special Collection

ukwa-logo-150The British Library archives the whole of the UK web domain under the terms of the Non-Print Legal Deposit Regulations 2013. This is done in an automated way, typically once a year.

In addition, their Special Collections are groups of websites, usually more than fifty and less than four hundred, brought together on a particular theme. These have been especially compiled by curators and other subject specialist to make useful and interesting Special Collections.

The First World War Centenary 2014-18 is a Special Collection that gathers suitable websites from the centenary period.

The Special Collection is open to sites that are issued from a .uk or other UK geographic top-level domain or where part of the publishing process takes place in the UK.

Sites concerning film and recorded sound where the audio-visual content predominates (but, for example, web pages containing video clips alongside text or images are within scope), private intranets and emails and personal data will not be included.

Site owners can nominate their site for inclusion here

 

Britain, Germany and the First World War Discussion Event

Here at the Centre for Hidden Histories we spend a lot of our time talking about the roles that different faiths, nationalities and groups played in the First World War. This, we believe, is a valuable endeavour, but it still doesn’t tell the whole story. Perhaps nothing ever will, but to even approach a comprehensive understanding of the war, there is another group to consider. The people of Germany.

 a British soldier offers a German prisoner a drink
a British soldier offers a German prisoner a drink

For reasons too obvious to list, the relationship between Britain and Germany was forever changed by the war. This had an impact at the state, community and individual levels and traces of this impact can still be felt today.

On the 23rd March we will be hosting a discussion event to explore these issues and to develop project ideas to investigate them further. We invite community groups to share project ideas for investigating this relationship and the different meanings that the war had, and continues to have, in the two countries.

Discussion topics are likely to include:

  • The impact of war on German communities in Britain
  • The history of prisoner of war camps
  • Attitudes to memorialisation in Britain and Germany
King George V and Kaiser Wilhelm II
King George V and Kaiser Wilhelm II

This is not an exhaustive list and we’d be delighted to consider any topic that falls within our theme  of the relationship between British and German people during and since the First World War.

The event is free, but places are limited. Tickets can be booked here.

 

 

Britain, Germany and the First World War Discussion Event

23rd March 2015 4pm-7pm

University of Nottingham

 

The Trench

Movie portrayals of warfare can be very powerful, even when the war is not the central focus. Michael looks at an example from the 1990s51-jS45YczL._SX342_

William Boyd’s 1999 film The Trench depicts a fusilier section during the 48 hours leading to the start of the Battle of the Somme.

The soldiers’ accents suggest a group drawn from different parts of the country, apparently in pairs with shared peacetime backgrounds. The putative lead, the Lancastrian Private Billy MacFarlane (Paul Nicholls) is partnered with his brother Eddie (Tam Williams) while a private dispute emerges on the part of the two Glaswegian soldiers over the issue of one’s clandestine engagement to a girl of their shared acquaintance. Lance Corporal Victor Dell (Danny Dyer) is a Cockney and Privates Ambrose (Ciaran McMenamin) and Rookwood (Cillian Murphy) Irishmen. Fusilier Colin Daventry (James D’Arcy) is evidently of a higher social class than his comrades and the likely beneficiary of a grammar school education (he has at least a smattering of German and has to pointedly moderate his latinate vocabulary to make himself understood even by his fellow Anglophones). He is, nevertheless socially inferior to the naive section commander, Second Lieutenant Ellis Harte (Julian Rhind-Tutt) who numbs his sense of being out of his depth with repeated slugs of whisky and private deferrals to his Sergeant, Telford Winter (Daniel Craig), the sole professional soldier in the unit.

The film’s action is almost entirely contained within the titular trench, creating an intentionally claustrophobic atmosphere that recalls a stage production. The young cast, mostly drawn from recent graduates of drama school is a reminder that the men who populated the trenches would, in other circumstances, be regarded as boys, a point emphasised by their scripted eagerness to participate in demonstrations of petty bravado, earning one lad a ‘blighty’ or in acts of barrack-room possessiveness over contraband photographs of nude girls.

Sgt Winter and Pte MacFarlane
Sgt Winter and Pte MacFarlane

Indeed, it is this matey comradeship (that includes minor rivalries) that is most impressive about this film. Take away the scenery and the uniforms and these lads could really be anywhere. Anywhere that raising your head too high might get you shot, that is. The effect of the scripting and the, let’s be honest, less than perfect nature of the performances (the young leads have all developed their acting skills since this film was made), lends The Trench a human quality that reminds us that the young men who fought in the real trenches were young, inexperience, scared and human.