All Quiet on the Western Front

In advance of giving an introduction to the film, Nigel Hunt explains what All Quiet on the Western Front means to him

The cover of the film, showing the main character, Paul Baumer
The cover of the film, showing the main character, Paul Baumer

When I was a second year (modern year 8) at my local comprehensive school, I went to the book store with the teacher, saw a pile of copies of All Quiet on the Western Front and, as I had read the book the year before at the age of 11, I asked the teacher if we could study it in class. She said we were ‘too young’ for such a book. This had two profound effects on me. First, I more or less gave up on school as a place I could gain a decent education. Second, I continued to read the book virtually every year for at least the next decade. It was, and is, my favourite book about war.

One of the great anti-war war novels of all time, Erich Maria Remarque’s book about the First World War came out in 1929, a decade after the end of the war. It was quickly translated into many languages, including English (the Wheen translation remains the best), and it has remained popular ever since. While the book is about the experiences of Germans on the Western Front, and the action takes place throughout the war, Remarque himself spent about a month at the front, before being wounded and spending the rest of the war in hospital. His vivid description of war is memorable; his characters real, his dialogue dramatic. The book was so popular, and so anti-war, that it was banned during the Third Reich. Remarque himself had to leave Germany, first to Switzerland, and then to build a successful career in the USA. Remarque was from the Rhineland, a descendant of French people who escaped the revolution. He reverted from Remark to Remarque as it was the original spelling, and took Maria from his mother’s name.

The teacher who persuaded the young boys that it was their patriotic duty to join up and fight for the Fatherland
The teacher who persuaded the young boys that it was their patriotic duty to join up and fight for the Fatherland

The first – and in my view best – film of the book came out in 1930. It was filmed in the USA and used hundreds of actors, many of whom were ex-German soldiers who had moved to the USA after the war. They were used as advisers for the action sequences and for the uniforms.

The director, Lewis Milestone, was a Moldovan, raised in Ukraine and educated in Belgium and Berlin. He was in the US army from 1917 as a signaller, obtained US citizenship after the war, and went to Hollywood. He quickly worked his way up the ranks and directed his first film in 1925, Seven Sinners. He won an academy award in 1927 for Two Arabian Nights, and won a second one for All Quiet on the Western Front (It also got best picture).

Baumer is in a shellhole, when a French soldier jumps in. Baumer kills him, and experiences intense, but shortlived, guilt
Baumer is in a shellhole, when a French soldier jumps in. Baumer kills him, and experiences intense, but shortlived, guilt

The main character, Paul Baumer, was played by Lew Ayres, who was so affected by the film that he became a conscientious objector in the Second World War, serving as a medic in action in South East Asia.

Nigel Hunt will give an introduction to All Quiet on the Western Front at a free public screening of the film at Broadway Nottingham on Monday 8th December at 6pm. Tickets are free and available from the venue on the day.

Where did the headstones for the First World War cemeteries come from?

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Headstone of 2nd Lt J.H. Bellamy, the Sherwood Foresters

Anyone who has visited the war graves will have felt a sense of awe at their sheer number. Making headstones in that volume took a lot of effort and a lot of stone. Nigel Hunt explains the East Midlands origins of the headstones.

With over a million deaths across the UK and the Dominions, and with nearly all the dead being buried on the battlefield, there was a huge demand for high quality headstones at the end of the war, along with stone for the monuments that are dotted around the battlefields, such as the Lutjens’ Thiepval memorial and Blomfield’s Menin Gate memorial, which together commemorate over 100,000 of the missing of the Somme and Ypres respectively. In total, nearly 1.3 million names are engraved either on individual headstones or on memorials to those who have no known grave.

By 1921, over 1,000 cemeteries had been established, and 4,000 headstones were shipped to France every week. Most cemetery construction was complete by 1927.

Most people think that the headstones are all made of Portland stone, derived from Portland on the south coast. Indeed, most headstones did come from there, but the demand was so high other sources had to be found, and the other main source of headstones was in Derbyshire, from Hopton Wood quarry near Middleton-by-Wirksworth. In all, 120,000 headstones were made from Hopton Wood limestone.

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Middleton Mine

The name Hopton Wood quarry is a bit misleading. While the original Hopton Wood quarry was situated in Hopton Wood, near the village of Hopton, the main quarry is to the west of Middleton, linked to another quarry in Middleton itself. The quarry closed in 2006, but it had a long history. It is a source of extremely high quality limestone, examples of which can be found in many country houses and public buildings around the country. Examples include Westminster Abbey, Birmingham Cathedral, Chatsworth House, Oscar Wilde’s tomb and the Houses of Parliament. It has been on many occasions mistaken for marble, because it can be finely polished. It is also relatively easy to carve, and is relatively hard-wearing. The main quarry is underground. There are over 25 miles of large passageways underneath the moors to the west of Middleton. The entrance can be seen from a nearby footpath.

Aerial view of Hopton Wood quarry - tunnel entrance hidden by white area, right middle
Aerial view of Hopton Wood quarry – tunnel entrance hidden by white area, right middle

There are remnants of broken headstones in the walls in the area, particularly near to the Middleton quarry in the village, but there are few other traces of what was a very busy time for the quarry.

The Auxiliary Hospital at Mill House

The Great War increased the need for auxiliary hospitals, including those based in the East Midlands. Nigel Hunt explains how even one of the smaller units, at Mill House in South Wingfield, was kept busy…

Mill House, South Wingfield
Mill House, South Wingfield

VADs (Voluntary Aid Detachments) were voluntary nurses. The organisation had been formed in 1909, and there were over 14,000 VADs by the start of the war. Vera Brittain was one of the best-known VADs, she served in the UK, France and Malta during the war, and wrote about her experiences in Testament of Youth, published in the 1930s. Other well-known VADs included Agatha Christie, Amelia Earhart and Hattie Jacques. Many VADs were middle- and upper-class women who wanted to get involved in the war effort, and being a VAD was considered an acceptable role.

With the large numbers of wounded, it was necessary to introduce auxiliary hospitals all around the country. These were situated in large houses, village halls, school buildings, and other large buildings. The auxiliary hospitals were attached to military hospitals so military control was retained. Each hospital was headed by a commandant in overall (non-medical) control, a matron, and a number of VADs.

Derbyshire had 37 auxiliary hospitals. These included larger establishments such as the Whitworth Institute in Darley Dale, Willersley Castle in Cromford, and Green Hall in Belper (this last was demolished long ago). Mill House, in Church Lane, South Wingfield , was a Red Cross VAD hospital during World War One. It was one of the smaller hospitals, with only 12 beds.

Mill House was owned by the Bower family who owned the mill at the bottom of the hill (now Taylor’s Mill). The commandant at one point was Mrs Ella Smith, and the matron Doozy Smith It had 88 patients over a period of 14 months. According to the High Peak News in February 1918, Mrs Smith received an honour for her work at South Wingfield.

 

The matron, Doozy Thompson, with a group of patients on the lawn at Mill House
The matron, Doozy Thompson, with a group of patients on the lawn at Mill House
Plaque that used to be on Mill House. It disappeared some time ago
Plaque that used to be on Mill House. It disappeared some time ago